Cambridge for sonic microsurgery, Pultecs, various compressors. The combination of Nuendo and UAD-1 has been great for me I basically set up a couple of group channels for insert FX, and use the master bus (never to leave unity gain) for metering. What does it do that other software doesn't? Well, you can buy software to do pretty much anything - most of the tools we use are similar - but some seem to work better/faster than others.I’ve done a lot of mastering in Nuendo. Some do one thing better, and something else worse. Overall, Wavelab is excellent in all of the areas I am most concerned with. The Wavelab montage is great for putting together a cd master, burning discs, DDP capability, dealing with meta data, ISRC codes, markers, fades, etc. Andy Whitby's Bounce Heaven is the World's most streamed Bounce brand, with over 330,000 weekly streams on iTunes, Spotify, Amazon Music, YouTube, Soundcloud, Google Podcasts and Mixcloud. It includes clip based effects, track based effects, master effects. The plugin suite included has everything you need - limiters, eqs, reverbs, compressors, etc. The spectrum editor gives you incredible editing capability - you can remove p-pops often - even at the mastering stage - and you can do so in a very transparent way. The metering included is second to none -extensive, and very customizeable. I love working with it - mastering people's albums, doing editing work - it's a great tool. In addition, support is amazing - you can post on the Steinberg Wavelab forum, and the programmer himself is there working with people, answering questions, directly interacting with customers. I'm a happy customer, and I don't mind making the extra effort to help sell people on the product, because I believe in it. If you can't do great work with it, you don't know what you're doing. I have many other tools that I feel are amazing as well - I've got an amazing selection of vst plugins I run within Wavelab, and some amazing outboard gear that I love to use. For some things, software is unbeatable, and there are some things I prefer to do with my analog hardware. You asked in particular about mastering software though. The majority of business I do in my studio is mastering, and Wavelab is at the center of it all. It does the space between the song automaticly and handle the metadata (name, artists etc.) Pcrecord, post: 456494, member: 46460 wrote: I'm still learning Samplitude, but I think I will use it's CD/DVD authoring features along with ozone and Fabfilter ProL2.Īfter testing it on 2 projects, I kinda dig the workflow of having all songs on the same track and using object editor to adjust their initial volume and EQ. Then I just need 1 instance of Ozone and ProL2 on the masterbuss. In the past, with sonar, I would have the songs on seperate tracks and run multiple instance of ozone. which at some point would crash the audio engin. Samplitude was clever by offering a special mastering workspace and tools.Īm i sensing a "Mastering in Samplitude" episode on your channel? Sure it may sound strange, however for users quickly wanting to bounce an area of their audio for rendering or create a new audio track. Bethel, post: 456493, member: 4527 wrote: Wavelab 9.5.25 is the best you can get for mastering IMHO.
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